ISC Class 12th Art Syllabus 2025-26: The ICSE board has released the latest syllabus for class 12th. Here, we have brought to you the ISC Class 12 Art Syllabus 2025-26 along with detailed and complete mentions of all its topics and chapters. Also, find the PDF download link of the same. Students can check the course structure, marking scheme, and more here. Arts is a favourite subject of most students as it brings out their artistic side and creativity. Students can download the PDF link for free from below.
ISC Class 12th Art Syllabus 2025-26: FREE PDF Download
Check the CISCE Board Class 12th Arts Syllabus 2024-25 from the table below.
SECTION A |
Paper 1: (3 hours), Drawing or Painting from Still Life A group of objects which will be artificial and natural, and may include such things as cut flowers, fruits, vegetables, a growing plant, as well as domestic or other artificial objects; the group may be drawn or painted. The work can be carried out, if the candidate wishes, about the surroundings of the part of the room in which the group is placed. If the group is painted, the background must be included. |
Paper 2: (3 hours), Drawing or Painting from Nature This paper is divided into two separate sections. Candidates may offer either A or B. In both sections, the subject may be interpreted freely, either decoratively or realistically. A. Study of the structure of natural forms such as a spray or branch, which may include flowers, foliage or fruit; fossils, bones, etc. Candidates are expected to reveal their appreciation of natural growth or structure by means of drawing or painting. B. A subject will be set for drawing or painting outdoors. There should be evidence of direct study from nature. |
Paper 3: (3 hours), Drawing or Painting of a Living Person Two alternatives will be given. In alternative (A) the model (who may be a boy, girl, man or woman) is to be placed in an attitude which will be described. The whole figure must be drawn, together with any necessary artificial or natural objects. If the subject is painted, the model must be seen against a suitable background. Clothing should be simple, and the limbs exposed as much as possible. Alternative (B) will be mainly a study of the head but may include the arms and hands. Instructions for each examination will be given. Candidates should be placed closer to the model than for Alternative (A). If candidates consider that they have completed their drawings before the end of the examination period, they may make a separate study. Candidates taking Alternative (A) may choose head, hands or other details. Those taking Alternative (B) may draw the portrait from another position or make a study of a part of the head or the hands. In either (A) or (B), the second drawing may be made on the same sheet or paper or on another sheet, which must be attached. Candidates are to be told that the two drawings will be considered together and that marks will not be lost if a second drawing is not attempted |
SECTION B |
Paper 4: (3 hours), Original Imaginative Composition in Colour A paper containing a list of alternative subjects will be given to candidates one week before the examination. The actual composition will be executed in the examination room after not less than seven days from the distribution of the paper to the candidates; sketches or other notes must not be taken into the examination room. Since this is a test of original work, it would be inappropriate for any form of guidance to be given to candidates other than that printed on the question paper. A variety of themes will be set; these may be given in the form of titles indicating the subjects, or of specified objects for inclusion in a composition, or in any other form that will stimulate the imagination. Candidates should base their work, if possible, on scenes that they have themselves observed. Any style or technique, including that which is traditional in the candidates' area, may be used. |
Paper 5: (3 hours), Crafts ‘A’ Candidates will be required to answer any one question. The object of this paper is to test the ability of candidates in craftwork where the material is restricted to flat paper, ink and/or colour. A question will be set requiring the design and execution of the following:
Several but not all of these alternative subjects will be set, and candidates will be required to select any one of them. There will be an opportunity to make full use of the calligrapher's art with drawn and painted, pen-made or brush-written lettering. |
Paper 6: Crafts ‘B’ This Paper is restricted to school candidates. The candidates must submit at least one and not more than two examples of Craftwork, which they have executed during the school year in any one craft from the following eight categories. Further evidence of study in the form of working drawings, a small notebook or photographs may also be submitted. (a) Earthenware or stoneware pottery such as a jug, bowl, dish, vase or hollowed pottery form which the candidate has either moulded, hand-built or thrown on the wheel and decorated if he or she so wishes. (b) Abstract or figurative sculpture, including reliefs. These can be carved, constructed, assembled, cast or modelled in any suitable material. Candidates must be warned not to submit work in material that is likely to break in transit; clay must always be fired, and modelling in plaster must be supported by strong armatures. Sculpture over 60 cm in any dimension is not acceptable because of difficulties in handling (c) Cloth or rug designed and woven by the candidate on the loom for any specified purpose. When possible, this should show experience in spinning and dyeing. (d) Cotton, wool, silk, bark cloth or other material dyed in a pattern as in block-printing, screenprinting, batik, tie-and-dye, etc. The piece should be at least a square metre in area. Blocks should not be sent. (e) Embroidery, mosaic, collage or decorative panels, unframed, but simply and suitably mounted, showing evidence of ability to relate design to media. (f) Puppet or marionette (including the type used in shadow plays) representing a specified character or person. The puppets should be made about a play, and notes on their particular dramatic use should be included. (g) Prints in colour or black and white, from an original wood or lino block or a monotype. The main work must be clearly labelled and suitably mounted. Blocks need not be sent. (h) Example of a local craft made by the candidate. This should be supported by a second entry showing a personal development of this craft. |
Students can download the syllabus PDF for FREE from the link provided below:
ISC Class 12th Art Syllabus 2025-26: Download Syllabus PDF For FREE |
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